We Are a Young & Creative
Film Production Company

“ 在找到動人故事前，我們與你一起拓荒迷路。“ —— 迷野影像

做電影、文字與設計出身的三個女生，

拍著紀錄片與廣告，做著文案與視覺設計，有著絕佳的默契。

因著對故事的好奇與製作品質的固守，總能讓事前田調、採訪與現場互動，

產生意想不到的化學作用，帶出人物、產品與品牌別出心裁的一面。

珍惜一切交託給我們的人物與故事，或長或短，每個Project都是一場旅程。

一個體驗與呈現的過程。

" Let's venture into the wild and find moving stories together."

-- WILD CREER Studio

Founded by a writer who had previously worked at acclaimed media, an up-and-coming director whose work was featured in Cannes Film Festival Short Film Corner, and a highly experienced photographer, WILD CRÉER STUDIO specializes in advertisements, shorts, and brand image videos. WILD CRÉER STUDIO also provides copywriting and visual design services.

Meet The Team

林欣婕 Stella Lin

Producer/ Planning

政大商學院智財管理碩士。

追著故事跑的女子，拍紀錄片、寫文章與影評，用筆與影像來闡述自己所見所愛的世界。曾任《旅讀中國》雜誌特約主編、天下文化特約傳記作者，與《天下雜誌》創新學院資深企劃編輯，紀錄片作品入圍「2017華時代全球影展最佳紀錄片」。現與夥伴共創「迷野影像 WILD CRÉER Studio 」，一起走跳世界。

Before founding WILD CRÉER, Stella used to be the Editor-at-Large for ORChina. She also wrote biographies for Commonwealth Publishing and was a senior editor at CommonWealth Magazine. Stella was the production supervisor of Taiwan Craftsmanship documentaries. She specializes in creating captivating stories from characters and themes. Her work was nominated for 2017 Hua International Short Film Festival.

林野（林亭㚬） Wildee Lin

Director / Cinematographer

政大廣電系與資管系雙學士。導演與攝影作品散見於劇情片、概念影片、MV、商業影片、紀錄片等。編導劇情短片入選 2015 坎城影展短片角落觀摩、並獲好萊塢學生影展ISFFH「最佳外語愛情喜劇獎」，2018金穗40系列推薦短片等。

曾參與院線電影、商業廣告、舞台劇製作等，並為藏地紀錄片《扎西德勒，幸福路上》攝影與剪輯，第一屆臺北戲劇獎形象片與典禮開幕片導演等。

若影像是時光的切片，希望透過影像保存大日子小日子裡，歲月光影的魔幻時刻，與剎那永恆。

其音樂人與攝影師的雙重背景，使其創作中富含流動的畫面感，與飽滿的聲音細節，希冀邀請觀者身歷其境，一同至於時光切片的當下。

Holding dual bachelor's degrees in Film and Management Information Systems from National Chengchi University, she works as a director and cinematographer across narrative films, documentaries, concept films, music videos, and commercial productions.

Her narrative short film “Days Apart” was selected for the Short Film Corner at the 2015 Cannes Film Festival and received the Best Foreign Language Romantic Comedy Award at the International Student Film Festival Hollywood (ISFFH). The film was later featured in the Golden Harvest Awards 40th Anniversary Recommended Shorts Program in 2018.

Her professional experience spans feature films, commercial advertising, and theatre productions. Selected credits include cinematography and editing for the Tibet documentary Tashi Delek: On the Road to Happiness, as well as directing the promotional film and opening ceremony film for the inaugural Taipei Theatre Awards.

If moving images are fragments of time, she strives to preserve the magic hidden within both extraordinary milestones and everyday moments—capturing fleeting instants that resonate long after they have passed.

Influenced by her dual background in music and filmmaking, her work combines rhythmic visual storytelling with a deep sensitivity to sound. Through carefully crafted imagery and rich sonic detail, she seeks to immerse audiences in each moment, inviting them to experience the present as both memory and living reality.

楊邑 Birdy Yang

Visual design

跨足設計、影像與當代藝術領域。實踐大學多媒體傳達設計研究所碩士。

關注視覺、空間與敘事之間的關係，透過跨媒介創作串連品牌文化、場域體驗與觀眾感知，探索影像、空間與新興科技交會下的傳達可能。

曾任天下雜誌數位頻道視覺編輯、出版財經書系標誌設計、公共電視數位影像專案計畫，並投入多項品牌形象影片與視覺設計整合專案，主責趣健行等品牌視覺統籌。共同編導之影像短片入選 2022 年坎城青年創意競賽，近期參與國立臺灣大學創新設計學程 D-School 五週年策展規劃與設計統籌。

藝術創作以生成式藝術及跨媒介實踐為核心，關注科技發展下的人際關係、信任機制與感知經驗。曾舉辦個展《虛擬信任》（2021）、《字演自語》（2023），與東方文華《超越無我》藝術特展（2024）。近年持續關注AI 創作與敘事應用。

BiRDY Yang is an interdisciplinary creator working across visual design, moving image, and contemporary art. Holding a Master’s degree in Multimedia and Communication Design from Shih Chien University, his practice bridges visual communication, spatial experience, and emerging technologies.

With a background in visual design, brand communication, and exhibition projects, he explores themes of trust, human relationships, and perception through generative art and interdisciplinary media. His works include the solo exhibitions 《Illusion Faith》(2021) and 《Have a Way with Words》 (2023), alongside participation in 《Beyond Sel》 (2024). Recent work focuses on the creative and narrative potential of AI.